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<title>F. Holland Day and 'the Beautiful Boy': The Story of Thomas Langryl Harris and Day's Nude Study</title>
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<title>Monuments et Paysages de John B. Greene</title>
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<title>Kirlian Photography</title>
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<title>Invisible Hands and Unseen Worlds Photography as a Projected Shadow Writing Photography in the Second Degree Victorian Scrapping A Sense of Place Margaret Watkins Everything's a Memory</title>
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<dc:title>Contributors</dc:title>
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<title>Map of Japan</title>
<dc:title>Map of Japan</dc:title>
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<title>Editorial</title>
<dc:title>Editorial</dc:title>
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</description>
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<dc:creator>Gartlan, Luke</dc:creator>
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<title>Photography and the Prussian Expedition to Japan, 1860-61</title>
<dc:title>Photography and the Prussian Expedition to Japan, 1860-61</dc:title>
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<dc:creator>Dobson, Sebastian</dc:creator>
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<prism:number>2</prism:number>
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<title>Studio Practices in Early Japanese Photography: The Tomishige Archive</title>
<dc:title>Studio Practices in Early Japanese Photography: The Tomishige Archive</dc:title>
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</description>
<dc:identifier rdf:resource="doi:10.1080/03087290902768057" />
<dc:creator>Fraser, Karen</dc:creator>
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<prism:number>2</prism:number>
<prism:startingPage>132</prism:startingPage>
<prism:endingPage>144</prism:endingPage>
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<title>Samuel Cocking and the Rise of Japanese Photography</title>
<dc:title>Samuel Cocking and the Rise of Japanese Photography</dc:title>
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</description>
<dc:identifier rdf:resource="doi:10.1080/03087290902768073" />
<dc:creator>Gartlan, Luke</dc:creator>
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<prism:number>2</prism:number>
<prism:startingPage>145</prism:startingPage>
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<title>The Emperor's New Clothes: Japanese Visuality and Imperial Portrait Photography</title>
<dc:title>The Emperor's New Clothes: Japanese Visuality and Imperial Portrait Photography</dc:title>
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</description>
<dc:identifier rdf:resource="doi:10.1080/03087290902768099" />
<dc:creator>Hirayama, Mikiko</dc:creator>
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<prism:number>2</prism:number>
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<title>Expeditionary Photographs of the Ogasawara Islands, 1875-76</title>
<dc:title>Expeditionary Photographs of the Ogasawara Islands, 1875-76</dc:title>
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</description>
<dc:identifier rdf:resource="doi:10.1080/03087290902768123" />
<dc:creator>Odo, David R.</dc:creator>
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<prism:number>2</prism:number>
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<title>Selling Japan: Kusakabe Kimbei's Image of Japanese Women</title>
<dc:title>Selling Japan: Kusakabe Kimbei's Image of Japanese Women</dc:title>
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</description>
<dc:identifier rdf:resource="doi:10.1080/03087290902768149" />
<dc:creator>Wakita, Mio</dc:creator>
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<prism:number>2</prism:number>
<prism:startingPage>209</prism:startingPage>
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<title>Nineteenth-Century Photography in Japan: A Bibliography, 2000-2008</title>
<dc:title>Nineteenth-Century Photography in Japan: A Bibliography, 2000-2008</dc:title>
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</description>
<dc:identifier rdf:resource="doi:10.1080/03087290802707957" />
<dc:creator>Gartlan, Luke</dc:creator>
<dc:creator>Dobson, Sebastian</dc:creator>
<prism:volume>33</prism:volume>
<prism:number>2</prism:number>
<prism:startingPage>224</prism:startingPage>
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<title>Contributors</title>
<dc:title>Contributors</dc:title>
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</description>
<dc:identifier rdf:resource="doi:10.1080/03087290902780888" />
<prism:volume>33</prism:volume>
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<title>Editorial</title>
<dc:title>Editorial</dc:title>
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</description>
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<title>Unblushing Realism and the threat of the pictorial: Photographic Survey and the production of evidence 1885-1918</title>
<dc:title>Unblushing Realism and the threat of the pictorial: Photographic Survey and the production of evidence 1885-1918</dc:title>
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</description>
<dc:identifier rdf:resource="doi:10.1080/03087290802586153" />
<dc:creator>Edwards, Elizabeth</dc:creator>
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<prism:startingPage>3</prism:startingPage>
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<title>Impressionism and Photography</title>
<dc:title>Impressionism and Photography</dc:title>
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</description>
<dc:identifier rdf:resource="doi:10.1080/03087290802582889" />
<dc:creator>Heilbrun, Fran&#xe7;oise</dc:creator>
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<prism:number>1</prism:number>
<prism:startingPage>18</prism:startingPage>
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<title>Metropolitan Surveillance and Rural Opacity: Secret Photography in Nineteenth-Century Ireland</title>
<dc:title>Metropolitan Surveillance and Rural Opacity: Secret Photography in Nineteenth-Century Ireland</dc:title>
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</description>
<dc:identifier rdf:resource="doi:10.1080/03087290802582905" />
<dc:creator>Baylis, Gail</dc:creator>
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<title>Kurt Tucholsky, John Heartfield and Deutschland, Deutschland &#xfc;ber Alles </title>
<dc:title>Kurt Tucholsky, John Heartfield and Deutschland, Deutschland &#xfc;ber Alles </dc:title>
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</description>
<dc:identifier rdf:resource="doi:10.1080/03087290802582921" />
<dc:creator>Paenhuysen, An</dc:creator>
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<title>Robert Adams and the 'Persistent Beauty' of Colorado Landscapes</title>
<dc:title>Robert Adams and the 'Persistent Beauty' of Colorado Landscapes</dc:title>
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</description>
<dc:identifier rdf:resource="doi:10.1080/03087290802582954" />
<dc:creator>Sandeen, Eric J.</dc:creator>
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<prism:number>1</prism:number>
<prism:startingPage>55</prism:startingPage>
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<title>Presence and Absence in 'Abandoned' Palestinian Villages</title>
<dc:title>Presence and Absence in 'Abandoned' Palestinian Villages</dc:title>
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</description>
<dc:identifier rdf:resource="doi:10.1080/03087290802582970" />
<dc:creator>Sela, Rona</dc:creator>
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<prism:number>1</prism:number>
<prism:startingPage>71</prism:startingPage>
<prism:endingPage>79</prism:endingPage>
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<title>Ottoman Photography of the Late Nineteenth Century: An 'Innocent' Modernism?</title>
<dc:title>Ottoman Photography of the Late Nineteenth Century: An 'Innocent' Modernism?</dc:title>
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</description>
<dc:identifier rdf:resource="doi:10.1080/03087290802582996" />
<dc:creator>Shaw, Wendy M. K.</dc:creator>
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<prism:startingPage>80</prism:startingPage>
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<title>Reviews</title>
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</description>
<dc:identifier rdf:resource="doi:10.1080/03087290802583044" />
<prism:volume>33</prism:volume>
<prism:number>1</prism:number>
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<prism:endingPage>105</prism:endingPage>
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<title>Publications Received</title>
<dc:title>Publications Received</dc:title>
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</description>
<dc:identifier rdf:resource="doi:10.1080/03087290802583069" />
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<title>Contributors</title>
<dc:title>Contributors</dc:title>
<link>http://www.informaworld.com/smpp/content~content=a908920075~db=all~jumptype=rss</link>
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</description>
<dc:identifier rdf:resource="doi:10.1080/03087290802583077" />
<prism:volume>33</prism:volume>
<prism:number>1</prism:number>
<prism:startingPage>108</prism:startingPage>
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<title>Ansel Adams and Georgia O'Keeffe: On the Intangible in Art and Nature</title>
<dc:title>Ansel Adams and Georgia O'Keeffe: On the Intangible in Art and Nature</dc:title>
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</description>
<dc:identifier rdf:resource="doi:10.1080/03087290802315736" />
<dc:creator>Hammond, Anne</dc:creator>
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<prism:number>4</prism:number>
<prism:startingPage>301</prism:startingPage>
<prism:endingPage>301</prism:endingPage>
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<title>Displaced 'Origins': William Henry Fox Talbot's The Pencil of Nature </title>
<dc:title>Displaced 'Origins': William Henry Fox Talbot's The Pencil of Nature </dc:title>
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</description>
<dc:identifier rdf:resource="doi:10.1080/03087290802315793" />
<dc:creator>Maimon, Vered</dc:creator>
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<prism:number>4</prism:number>
<prism:startingPage>314</prism:startingPage>
<prism:endingPage>325</prism:endingPage>
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<title>Dogs, Casts and Daguerreotypes in Two Letters to Horatio Walpole, 3 rd Earl of Orford</title>
<dc:title>Dogs, Casts and Daguerreotypes in Two Letters to Horatio Walpole, 3 rd Earl of Orford</dc:title>
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</description>
<dc:identifier rdf:resource="doi:10.1080/03087290802315868" />
<dc:creator>Collier, Carly</dc:creator>
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<prism:number>4</prism:number>
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<title>Robert Gill and his Circle of Friends in India</title>
<dc:title>Robert Gill and his Circle of Friends in India</dc:title>
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</description>
<dc:identifier rdf:resource="doi:10.1080/03087290802315926" />
<dc:creator>Patel, Divia</dc:creator>
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<prism:number>4</prism:number>
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<title>Mary A. Bartlett: Illustrator of Children's Books</title>
<dc:title>Mary A. Bartlett: Illustrator of Children's Books</dc:title>
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</description>
<dc:identifier rdf:resource="doi:10.1080/03087290802316122" />
<dc:creator>Peterson, Christian A.</dc:creator>
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<prism:number>4</prism:number>
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<title>Colonial Imitation and Racial Insubordination: Photography at the Louisiana Purchase Exhibition of 1904</title>
<dc:title>Colonial Imitation and Racial Insubordination: Photography at the Louisiana Purchase Exhibition of 1904</dc:title>
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</description>
<dc:identifier rdf:resource="doi:10.1080/03087290802316239" />
<dc:creator>Rogers, Randal</dc:creator>
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<prism:number>4</prism:number>
<prism:startingPage>347</prism:startingPage>
<prism:endingPage>367</prism:endingPage>
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<title>Brief Encounter: A Reminiscence Touching on Margaret Bourke-White</title>
<dc:title>Brief Encounter: A Reminiscence Touching on Margaret Bourke-White</dc:title>
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<title>Politics and Photography in Apartheid South Africa</title>
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<dc:creator>Krantz, David L.</dc:creator>
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