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<title>The economics of fear, the politics of hope, and the perversity of happiness</title>
<dc:title>The economics of fear, the politics of hope, and the perversity of happiness</dc:title>
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<title>Causalgia of the heart: Phantom limb syndrome, disability and queer feeling</title>
<dc:title>Causalgia of the heart: Phantom limb syndrome, disability and queer feeling</dc:title>
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<title>By the light of what comes after: Eventologies of the ordinary</title>
<dc:title>By the light of what comes after: Eventologies of the ordinary</dc:title>
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<title>Neither monstrous nor pastoral, but scary and sweet: Some thoughts on sex and emotional performance in Intimacies and What Do Gay Men Want ?</title>
<dc:title>Neither monstrous nor pastoral, but scary and sweet: Some thoughts on sex and emotional performance in Intimacies and What Do Gay Men Want ?</dc:title>
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<title>Hope and hopelessness: A dialogue</title>
<dc:title>Hope and hopelessness: A dialogue</dc:title>
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<title>&#x201c;Feeling like a woman, looking like a man, sounding like a no-no&#x201d;: Grace Jones and the performance of Strang&#xe9; in the Post-Soul Moment</title>
<dc:title>&#x201c;Feeling like a woman, looking like a man, sounding like a no-no&#x201d;: Grace Jones and the performance of Strang&#xe9; in the Post-Soul Moment</dc:title>
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<title>Introduction</title>
<dc:title>Introduction</dc:title>
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<title>The Nautch women dancers of the 1880s: Corporeality, US Orientalism, and anti-Asian immigration laws</title>
<dc:title>The Nautch women dancers of the 1880s: Corporeality, US Orientalism, and anti-Asian immigration laws</dc:title>
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<title>Akram Khan rewrites Radha : The &#x201c;hypervisible&#x201d; cultural identity in Kylie Minogue's Showgirl </title>
<dc:title>Akram Khan rewrites Radha : The &#x201c;hypervisible&#x201d; cultural identity in Kylie Minogue's Showgirl </dc:title>
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<dc:creator>Mitra, Royona</dc:creator>
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<title>An intimate ethnography</title>
<dc:title>An intimate ethnography</dc:title>
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<title>Discovering India: An installation project</title>
<dc:title>Discovering India: An installation project</dc:title>
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<title>&#x201c;Feeling like a woman, looking like a man, sounding like a no-no&#x201d;: Grace Jones and the performance of Strang&#xe9; in the Post-Soul Moment</title>
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<title>Love is still possible in this junky world: Conversation with Sheree Rose about her life with Bob Flanagan</title>
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<title>Book Review</title>
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<title>Performance Reviews</title>
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<dc:creator>Kurkjian, Beth</dc:creator>
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<title>Latina subjectivity, sexuality and sensuality</title>
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<title>&#x201c;Don't leave me, Celia!&#x201d;: Salsera homosociality and pan-Latina corporealities</title>
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<title>&#x201c;&#xbf;Y ahora qu&#xe9; vas a hacer, mulata?&#x201d;: Hip choreographies in the Mexican cabaretera film Mulata (1954)</title>
<dc:title>&#x201c;&#xbf;Y ahora qu&#xe9; vas a hacer, mulata?&#x201d;: Hip choreographies in the Mexican cabaretera film Mulata (1954)</dc:title>
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<title>When Latina hips make/mark history: Music video in the &#x201c;new&#x201d; American studies</title>
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<title>Urban sensualidad : Jennifer Lopez, Flashdance and the MTV hip-hop re-generation</title>
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<title>Lucha Villa's erotization of the estilo brav&#xed;o and the canci&#xf3;n ranchera </title>
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<title>&#x201c;Wasting&#x201d; diagnoses and staging a dialogue on intergenerational Jewish memories</title>
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<title>Art across generations: Daughters talking about fathers, writing and memory: A conversation with Barbara Kirshenblatt-Gimblett and Laura Levitt</title>
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<title>Linda Montano, Anorexia nervosa and an art of hunger</title>
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<title>Pig bodies and vegetative states: Diagnosing the symptoms of a culture of excess</title>
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