The author reconstructs the figure of the trucker as an interesting figure in socialist Hungary's 'history of mentality'. The study outlines how the figure of the trucker and the popular meanings people associated with them, has constituted a post-Turnerian 'liminoid construction' that secured them the (ill-)fame of transgression of any kind of border, subversion against any kind of interest different from theirs, or simply just the fame of agents of change of Hungary's post-1956 everyday life culture. Their liminal character's representation had three major fields: Firstly, in books and movies truckers are usually at the threshold between everyday life of socialist Hungary,and life worlds of another countries, cultures, fields of knowledge and pleasures, between the feared and wanted, the unknown and the quotidian well-known. Secondly,their self-representation unveiled a strenuous way of life and continuous pressures represented by conflicting expectations of self-interest, the family, the profession, colleagues, the company, and social norms. Thirdly, an analysis of their usual life situations (on the road, at the border, at home, etc.), highlighted how these culturally constructed environments served as contrasting 'cultural landscapes' to the truckers' liminoid figure. An analysis of the role of motors and women in the representation of truckers gave an explanation of the popular appeal associated with truckers. The last section on truckers' contribution to the emerging Hungarian consumer culture in the 1970-1980s revealed major trucker missions such as supplying objects of desire and (perhaps more importantly) images of another cultures; the conveyance of 'at-hand' knowledge and skills about other cultures; travel itself; and performance at trendsetting 'habitual show' of doing petty business, and more generally, everyday risk-taking and decision making. Probably truckers' most important role was their contribution to the knowledge, attitudes and skills people employed in making up a Hungarian consumer society.