Brain, Mind, and Body: Interactions with Art in Renaissance Italy
Authors:
Sheryl R. Ginn a;
Lorenzo Lorusso b
| Affiliations: | a Department of Social Sciences, Rowan Cabarrus Community College, Concord, NC, USA |
| b Neurology Department, M. Mellini Hospital, Chiari, Italy |
DOI:
10.1080/09647040701575900
Publication Frequency:
4 issues per year
Published in:
Journal of the History of the Neurosciences,
Volume
17,
Issue
3
July
2008
, pages 295
- 313
Subject:
Neuroscience;
Full text options: no full text options are available.
Abstract
The Renaissance saw the first systematic anatomical and physiological studies of the brain and human body because scientists, for the first time in centuries, were allowed to dissect human bodies for study. Renaissance artists were frequently found at dissections and their attention to detail can be observed in their products. Scientists themselves were increasingly artistic, and they created astonishing anatomical models and illustrations that can still be studied. The cross-fertilization of art and science in the Renaissance resulted in more scientific analyses of neuroanatomy as well as more creative ways in which such analyses could be depicted. Both art and science benefited from the reciprocal ways in which the two influenced each other even as they provided new ways of explaining the mysteries of the human body and mind.
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| Keywords: Galen; Leonardo; Vesalius; Liuzzi; Estienne; print-making; wax modeling |
| view references (65) |

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