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The Lotus and the King: Imagery, Gesture and Meaning in a Hindustani Ramacrg 

Author: Laura Leante - Laura Leante is a Research Fellow in Music at the Open University, UK. She was awarded her PhD in ethnomusicology by the University of Rome, Italy in 2004 for research on issues of meaning and cross-cultural reception of music in British Asian repertories. Her research interests range over Indian classical and folk music, music of the South Asian Diaspora, music and globalisation, and popular music. Since 2005 Laura has been involved in the Open University-based AHRC-funded research project 'Experience and Meaning in Music Performance', studying processes of meaning construction in music through the analysis of performances of Hindustani classical music. This article stems directly from that work. From October 2009 she will be working on a new AHRC-funded project focusing on 'The Reception of Performance in North Indian Classical Music'
DOI: 10.1080/17411910903141874
Publication Frequency: 2 issues per year
Published in: journal Ethnomusicology Forum, Volume 18, Issue 2 November 2009 , pages 185 - 206
Formats available: HTML (English) : PDF (English)
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Abstract

This article brings together investigation of gesture and imagery in the study of North Indian classical music, focusing on a particular ramacrgSacuterī ramacrg—in detail. The research, based on extensive ethnography and analysis of audiovisual recordings, reveals how the embodiment of sound as patterns of movement is a key to understanding how musicians associate particular images and emotions with ramacrgs, and at the same time how such processes of signification are intertwined with culturally embedded meanings.
Keywords: South Asia; Hindustani Classical Music; Ramacrga; Gesture; Imagery; Meaning Construction
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