This study, informed by historical and socio-cultural studies into HIV/AIDS, examines the political and commercial appropriation of female music by males specifically in Malawi and, in general, Southern Africa.1 Once appropriated, this music is often used, via the oral public sphere, in ways that, politically and economically, impact negatively on women. It is here argued that while recognized factors perpetuating gender inequalities are responsible for this appropriation, factors within the power dynamics of female culture itself may be contributory. It is further suggested that this public sphere use of appropriated female music may significantly negate or subvert some formal, especially written, positive gender equality messages.