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“High-Class Fakery”: Race, Sex and Class in the Screenwriting of Winnifred Eaton (1925-1931) 

Author: Eve Oishi - Eve Oishi is an Associate Professor in the Department of Women's Studies at California State University, Long Beach
DOI: 10.1080/10509200490476715
Publication Frequency: 5 issues per year
Published in: journal Quarterly Review of Film and Video, Volume 23, Issue 1 January 2006 , pages 23 - 36
Formats available: HTML (English) : PDF (English)
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