Whites and Water: How Euro-Africans Made Nature at Kariba Dam 1
Author:
David McDermott Hughes a
(Show Biography)
| Affiliation: | a Rutgers University, |
DOI:
10.1080/03057070600996846
Publication Frequency:
4 issues per year
Subjects:
African & Third World Politics;
African Studies;
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Abstract
At Lake Kariba, conservation policies protect cultural heritage. In 1958, engineers created the lake by damming the Zambezi River. Over the next five years, the reservoir flooded 5,580 square km, displacing 57,000 Tonga farmers and destroying more habitat than any single human action ever had before. In response to this devastation, whites - particularly conservation-minded writers and photographers - expressed their shock and alarm. Gradually, however, they grew to accept the artificial lake, for the lake answered a deep European longing for water in inland, semi-arid Africa. Kariba Dam did the work of glaciers, carving intricate 'fjords' and 'lochs' in a country that previously lacked any shoreline at all. With Kariba, whites imported their hydrological heritage, and they found the lake to be beautiful. Writers soon called it 'nature' and advocated for its protection. Kariba thus exemplifies what has been until recently a hidden tension in ecological conservation: the tolerance - indeed, celebration - of history and cultural heritage. Until now, Euro-Zimbabwean heritage has benefited disproportionately from that tolerance.
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* I am grateful to the University of Zimbabwe's Department of Economic History for hosting me while I conducted the research for this article in 2002 and 2003. They and the Programme on Land and Agrarian Studies (University of the Western Cape), the British Institute in Eastern Africa (at the 'Heritage' conference in Livingstone, Zambia) and St. Antony's College (Oxford University) also furnished me with opportunities to present versions of the article to critical audiences. The Zambezi River Authority granted me access to their archives in Kariba. In Harare, Eira and Kezia Kramer assisted with further library and archival research and, at Rutgers, Mike Siegel, Bill Landesman and Mona Bhan helped with figures and formats. For the conclusions, I alone bear responsibility.
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