The following articles will be appearing in future issues of Jazz Perspectives:

The Harmonic and Rhythmic Language of Herbie Hancock's 1970s Fender Rhodes Solos
Jon Opstad, London, UK
 
Jazz and the "Popular Front": "Swing" Musicians and the Left-Wing Movement of the 1930s-1940s
Jonathon Bakan, York University, Canada
 
Beyond the Brass Ceiling: Dolly Jones Trumpets Modernity in Oscar Micheaux's Swing!
Sherrie Tucker, University of Kansas, USA
 
Prophetics in the Key of Allah: Towards an Understanding of Islam in Jazz
Christopher Chase, Michigan State University, USA
 
George Handy and "The Bloos"
Ben Bierman, Brooklyn College, USA
 
Dave Brubeck and Polytonal Jazz
Mark McFarland, Georgia State University, USA
 
Race, Community, and Conflict in the Jazz Composers Guild
Benjamin Piekut, University of Southampton, UK
 
Negotiating “A Blues Riff”: Listening for Django Reinhardt's Place in American Jazz
Andrew Berish, University of South Florida, USA