Cross-Cultural Perspectives on Secular Vocal Performance in Early Wales
Christopher Macklin

'We hardly knew what we should pay attention to first': Mozart the Performer-Composer at Work on the Viennese Piano Concertos
Simon Keefe

Material and History in the Aesthetics of 'serielle Musik'
Marcus Zagorski
 
The Parallax Worlds of the West-Eastern Divan Orchestra
Rachel Beckles Willson
 
The Regime's 'Musical Weapon' Transformed: Johann Strauss Sr's Radetzky March before and after the First World War
Zoë Lang

Pastor Iver Brink's Sacred and Secular Music: A Private Collection of Music from Copenhagen at the Beginning of the Eighteenth Century
Jens Henrik Koudal and Michael Talbot

Biographical Myth and the Publication of Mozart's Piano Quartets
Rupert Ridgewell

On the Structure and Proportions of Vaughan Williams's Fantasia on a Theme by Thomas Tallis
Allan Atlas

Where is Here?: An Issue of Deictic Projection in Recorded Song
Allan Moore

'On Music and Interdisciplinarity: Beyond the Practice Turn'
Georgina Born

Relocating the Thirteenth-Century Refrain: Intertextuality, Authority, and Origins
Jennifer Saltzstein

Antonio Veracini, Trio Sonatas op.1: Patronage, Sacrality and Power at the Court of Vittoria della Rovere
Antonella D'Ovidio

Life and Death in J. S. Bach's Cantata 'Ich habe genung' (BWV 82)
Bettina Varwig

'Between Moscow and New York': Richard Strauss's Die gyptische Helena in cultural-historical context
Philip Graydon

Henri Drayton: English Opera and Anglo-American Culture, 1850-1872
Brian Thompson

The Expansion of Symphonic Space in Mahler's First Symphony
Thomas Peattie

Musical Emergence as Structural Model and Listening Strategy for Songs from Bjrk's Medulla
Victoria Malawey