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Critical Arts A Journal of South-North Cultural Studies, Volume 10 Issue 2 1996

Co-published with UNISA
Increasing to 3 issues per year in 2009
ISSN: 1992-6049 (electronic) 0256-0046 (paper)
Publication Frequency: 3 issues per year
Subject: Cultural Theory;
Publisher: Routledge
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Miscellany
Editorial Board
Page ebii
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Articles
Negotiations, transitions and uncertainty principles: Critical Arts in the worlds of the post
Keyan Tomaselli;  Johan Muller; Arnold Shepperson
Pages i – xxii
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Introduction
Ien Ang
Pages xxiii – xxvii
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Maban reality and shape-shifting the past: Strategies to sing the past our way
Mudrooroo
Pages 1 – 20
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Threshold Procedures: ‘Boat People’ in South Florida and Western Australia
Brett Neilson
Pages 21 – 40
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“Patience, Endurance and Fortitude”: Ambivalence, desire and the construction of the Chinese in Colonial Singapore
Yao Souchou
Pages 41 – 66
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(Pre)Serving home: ‘Little India’ and the Indian-Singaporean
Vijayandran Devadas
Pages 67 – 90
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Women/migrants/victims in the Male Empire: The redeployment of racist and patriarchal notions in Raj cinema
T. Muraleedharan
Pages 91 – 104
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From Madame Butterfly to Miss Saigon: One hundred years of popular orientalism
Maria Degabriele
Pages 105 – 118
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Dissolving boundaries: Story-telling as self-representation
Estelle Barrett
Pages 119 – 137
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Negotiations/transitions
A politics of blood: The ‘white tribe’ of Africa and the recombinant nationalism of a colonizing indigene
Jenny de Reuck
Pages 139 – 157
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‘Race’ and the transition to democracy in South Africa
Rupert Taylor
Pages 158 – 169
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Review Article
The New Millennium and the Mirage of Global Modernity: The United Nations, the Commission on Global Governance and the New World Disorder
Mark T. Berger
Pages 171 – 184
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