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Shakespeare, Volume 4 Issue 3 2008

REINVENTING DIGITAL SHAKESPEARE

Listed in the Thomson Reuters Arts & Humanities Citation Index®
ISSN: 1745-0926 (electronic) 1745-0918 (paper)
Publication Frequency: 4 issues per year
Publisher: Routledge
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Criticism
Introduction: Reinventing Shakespeare in the digital humanities
Alan Galey; Ray Siemens
Pages 201 – 207
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Past is prologue: Electronic New Variorum Shakespeares
Paul Werstine
Pages 208 – 220
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The Internet Shakespeare Editions: Scholarly Shakespeare on the Web
Michael Best
Pages 221 – 233
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The Shakespeare Electronic Archive: Collections and multimedia tools for teaching and research, 1992–2008
Peter S. Donaldson
Pages 234 – 244
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Scholars and the Marketplace: Creating Online Shakespeare Collections
Peter Holland; Mary Onorato
Pages 245 – 253
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eShakespeare and performance
Christie Carson
Pages 254 – 270
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Back to basics: Electronic pedagogy from the (virtual) ground up
Jeremy Ehrlich
Pages 271 – 283
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Digital Shakespeare, or towards a literary informatics
Martin Mueller
Pages 284 – 301
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Reviews
Audience and actor response to a staged reading of Nahum Tate's The History of King Lear (directed by Joe Curdy) at the Shakespeare Institute, Stratford-upon-Avon, 27 January 2008
Joe Curdy
Pages 302 – 308
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Review of Globe Education's Special Event, “Boys Will Be Boys, Girls, Adults …”, featuring scenes from John Marston's Antonio and Mellida, performed by Dulwich College, and The Dutch Courtesan, performed by King Edward VI School, at the Globe Education Centre Theatre, Shakespeare's Globe, London, Sunday 2 March 2008
Shehzana Mamujee
Pages 309 – 314
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Review of Shakespeare's A Midsummer Night's Dream (directed by Tim Baker) at the Clwyd Theatr Cymru, Mold, March 2008
Joseph Sterrett
Pages 315 – 316
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Review of Shakespeare's Romeo and Juliet (directed by Barrie Rutter for Northern Broadsides and the New Victoria Theatre) at the New Vic Theatre, Newcastle-Under-Lyme, February–March 2008
Roger Pooley
Pages 317 – 319
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Review of Shakespeare's The Tempest (directed by Jatinder Verma for Tara Arts) at the Arts Theatre, London, January 2008
Shelly Baker;  Katherine Evans;  Lauren K. Monaghan-Pisano;  Karwir Nam; Rachael Williams
Pages 320 – 323
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Review of Shakespeare's Hamlet (directed by Jonathan Miller) at the Tobacco Factory, Bristol, March–May 2008
Peter J. Smith
Pages 324 – 327
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Review of Shakespeare's The Taming of the Shrew (directed by Conall Morrison for the Royal Shakespeare Company) at the Courtyard Theatre, Stratford-upon-Avon, May 2008
Peter Kirwan
Pages 328 – 331
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Review of Thomas Dekker and John Webster's Westward Ho (directed by Andrea Kantor for Paper and String) at the White Bear Theatre Club, London, April 2008
Sasha Garwood
Pages 332 – 335
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Critical Debates and Reviews
Repertory studies: A survey
Tom Rutter
Pages 336 – 350
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